Because the Internet moves with the pace and ferocity of a hornet swarm, there's a possibility that by the time you read this, Spike Lee's American remake of "Oldboy" will currently have been bitten to death. If so, too bad. This American version of reserve Chan-Wook's Korean thriller is Lee's most stimulating movie since "Inside Man"-not a masterpiece by any extend, but a alert financial genre image with a hypnotic, obsessive value, and an utter indifference to being liked, much less accepted of. ...
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